These are the decoration methods this product can be branded with.
Laser Engraving
A laser burns away the top surface layer, revealing the material beneath. On metal that means a frosted, tone-on-tone mark; on timber, a darker scorched line. Nothing is added to the product, so there is no ink to scratch off.
- Print area
- 37mm x 17mm
- Best for
- Drinkware, tools, and metal or timber gifts where a permanent, understated finish matters.
- Not ideal for
- Anything needing colour — engraving cannot add any. You get the material's own contrast.
Resin Coated Finish
A clear resin is poured over an already-printed area and cures into a raised, glass-like dome that magnifies the artwork underneath and seals it.
- Colours
- Full colour
- Print area
- 46mm x 26mm
- Best for
- Keyrings, badges and USB drives where you want a hard, glossy finish that protects the print.
- Not ideal for
- Large areas or flexible products — the dome is rigid and is best kept to a small, flat footprint.
Colourflex Transfer
Your artwork is printed onto a carrier film, then heat-pressed onto the product so the design fuses to the surface. The result is a smooth, slightly glossy layer with cleanly cut edges.
- Colours
- Full colour
- Print area
- 200mm x 120mm
- Best for
- Full-colour artwork, photographs, and fine gradients — and small runs, since there are no per-colour screens to set up.
- Not ideal for
- Very high-heat or heavily textured fabrics, where the film struggles to bond evenly.
Direct Digital
The artwork is printed straight onto the product by a digital printer, much like an office printer but with inks formulated for the surface. No screens or plates are made.
- Colours
- Full colour
- Print area
- 37mm x 17mm
- Best for
- Detailed, multi-colour artwork and short runs, since there is little per-order setup.
- Not ideal for
- Very large solid blocks of colour, which can look flatter than a screen print.
DigiFlex Transfer
Your artwork is printed onto a carrier film, then heat-pressed onto the product so the design fuses to the surface. The result is a smooth, slightly glossy layer with cleanly cut edges.
- Colours
- Full colour
- Print area
- 200mm x 120mm
- Best for
- Full-colour artwork, photographs, and fine gradients — and small runs, since there are no per-colour screens to set up.
- Not ideal for
- Very high-heat or heavily textured fabrics, where the film struggles to bond evenly.
Black
